Tuesday, October 27, 2009

200

According to the nattily attired center panelist at the ‘Thrillers and Killers’ discussion, somewhere around 200 people make a full time living as writers of novels. 200! In the united States, that’s less than a 1 in a million shot. It’s one of those figures that sounds so incredible that it must be true. He didn’t back it up with anything approaching fact or citation, but it passes my sniff test. I am somewhat acquainted with a man who has published several books. One was even turned into a major motion picture. He does not smoke cigars on his yacht in St Tropez. He works a regular job and this book thing probably gets him a nice check every once in a while. By the way ‘Thrillers and Killers’ was a session at the 1st Annual Boston Book Festival that M and I attended last weekend. This particular gathering matched spy/thriller novelists with a terrorism expert from Harvard. M and I went to a few other sessions, which were overwhelmingly crowded. Maybe it was rain, maybe Boston is a book-learnin type of place. I know I saw a Ken Burns groupie or two (we missed his talk due to overwhelming crowds). The sessions all had their own themes, but for the most part it seemed like the discussion always went back to what it was like to be a writer and to describe each particular writers’ creative process. It seems that professional writing is not an easy thing, despite what I had secretly, deep down believed. I was a somewhat talented ‘english person’ back in the day. I went to schools where teachers saw I could read harder books and they sent me to the big kids’ section on the library. I read a lot of challenging books and I think I did a decent job of regurgitating what I read. Book reports were never something I dreaded. I was given much praise and encouragement (not from 10th grade Mr. McCarthy though) and the cycle repeated itself. I got nice standardized test scores, got the awards, etc, and off to college I went. In hindsight choosing majors and classes by what time they were scheduled was probably not the best path, but it worked. I took a lot more English classes, albeit of the analytical, not the creative variety. Lots of poetry and dusty Milton ensued. Graduation approached and various older people started asking me if I was going to be an English teacher when school was over. Hell no, I was going to be an investment banker! (I think I covered this somewhere else). Or at least get something to pay the bills while I wrote by manuscript/novel/manifesto. I knew a movie script was 120 pages long – how hard could that be? I made a few hesitant stabs at it and realized I have no mind for dialogue. There’s something else I have no appetite for – revisions. Mr. McCarthy had a real thing for rewrites. He never graded a paper the first time it was turned in. He’d make some notes, hand it back and give you a second chance. What? No way was I doing that again! My first shot was good enough. So I’d hand that sucker right back at him and take my grade. The twist was that you could do this indefinitely. If you didn’t like your C, you could keep rewriting it until it was an A. I couldn’t be bothered. Apparently rewrites and revisions are quite commonplace in the professional writing world. After I’d write a few scenes down, I’d take a look at them and realize how bad they were, but the idea of re-doing all that work was too much. Maybe movies weren’t for me. Books are where I’ll make my fortune. I’m constantly eavesdropping on people, analyzing their situation, noticing interactions – all . with a running dialogue in my mind, connecting them in a grand plot or saving good interactions for scenes the next day or whenever I feel like it. Writing a book would be easy. Or at least, writing a few good scenes would be easy. Once I got a some killer scenes, the plot would take care of itself. I tried that – there are more than a few aborted novels filled with ultra macho action and violence tucked away on every laptop I’ve ever handed over to the IT guys. I really don’t care if anyone reads them. I usually run out of steam after the first 800 words or so. Then the idea of re-writing it? No freakin way. You may notice how long some of these blog posts are and realize they are way past 800 words – that’s dumb luck. And while I may rewrite a sentence or two or change a word, there is consistently zero rewriting done. So back to the 200. Who are these people? I saw three of them on this panel. One of them was a Yale law Professor – sounded like he had a decent day job. One had been recruited to work at the CIA at a young age but realized it wasn’t all spies and guns. The third guy, spouting statistics, seemed to be the only ‘normal’ guy, i.e. not already endowed with super skills/intelligence/determination that would correspond well to crafting a page-turning novel. Dan Brown? John Grisham? Dean Koontz? I know I make fun of these guys, but if that 200 number is correct, these guys are more obscure talents than professional basketball players. They’re rarer than billionaires (and if you’re JK Rowling, you’re both). Luck seems to have little to do with this. I’ve read business case studies that analyzed thousands of years of man-days worked by all sorts of business executives. These studies then asked the executives why they made certain decisions and what resulted from these. The end result was basically luck. You can’t ask someone who flipped a coin on heads 10 times in a row how they did it, nor, so it seems, can you ask many executives what the secret to their success is, since it’s all conjecture and mostly luck. None of the authors had similar stories. Some outlined their arcs, others waded in with the writing. It seems the secret to writing a bestselling novel is to somehow capture the attention of a good agent and editor and publisher who can then propel your book to the most shelves and hope lots of people buy them. Of course the internet makes this all the more difficult. Anyone can publish a book these days. Anyone can fling opinions around in an article and get noticed. Very few get paid and ever fewer make all their money from it. I wonder if this 200 ever get together like the Spartans from 300 and howl and chant to fire themselves up and revel in their virtuosity. That’s probably what these book fairs are, actually. Get a bunch of authors together, let them measure each other up and decide who’s got the most best sellers, who’s a hack, who’s a genius. Wave around a few glasses of Cabernet and quote philosophers and try to look profound. Sounds like fun. Doesn’t mean I don’t have a novel in me, but it definitely means I can’t quit my day job.

Monday, October 26, 2009

slacker

Wow. What a slacker. This guy needs to update his blog soon or people will forget he's there.. Yes I am aware. I'll get something posted here soon.